For the Love of Writing

Last Friday I was moody. No, I didn’t take it out on the kiddos. But as I sat at my desk during prep time, I found myself counting the minutes until dismissal and wondering if anyone would notice me leave with the students.

I spent the evening contemplating possible reasons for my mood. The February slump? Nope. The pile of unfinished tasks? Nah. Then it hit me.

I hadn’t written this week. I missed writing.

The odd thing about this feeling is that I only started writing (serious, regular writing) this past June. My blog has become part of my life – almost a living presence.

What does this have to do with the classroom?
In under a year, I have developed what Colleen Cruz refers to as a “writer-ly life”. As I have become a writer, my students have been more inspired to write.

Truthfully, no child groans when we begin writing class. Students are engaged and anxious to share their work with me. But I wonder what will happen this summer, when there are no expectations of publication, no explicit time devoted to daily writing. How can I help students take the step from engagement to self-motivation?

Curriculum Implications
The map of writing curriculum is set for the year. I’m leading out the team in planning the first unit of the 2012-2013 school year. The first unit is about establishing a writer’s journal or notebook, building a collection of pieces, and taking one piece through the entire writing process. The lessons are based on the Lucy Calkin’s writing series – lessons that suggest writers glean ideas from people that are important to them, places they love, important life moments, important objects, etc. These lessons lay a wonderful foundation.

My issue is this: If I were a student going through these lessons, I would comply and I would develop good writing skills. That said, my writing journal would be filled with teacher-directed pieces. I’ve been reading Speaking of Journals: Children’s Book Writers Talk about their Diaries, Notebooks, and Sketchbooks. All the authors organize journals in different ways for various reasons. I’m more or less insisting that student journals take a particular format. By doing so, am I becoming an obstacle to students discovering their own writing styles and habits?

The other thing I wonder is the extent to which I teach a limited number of writing genres. Most of the year is spent teaching personal narratives, essays, poetry, and realistic fiction. What about blogs? Video scripts? Plays? Commentaries? How-to pieces? Letters and emails? Infographics? Would students write more independently if they were exposed to these other forms?

I realize this post is filled with more questions than answers – but that is where my head is right now. I’ve decided on three outcomes:

  1. Students create a journal or writer’s notebook that works for them, and reflect on how the notebook organization reflects them as writers
  2. Students experiment with various writing genres and reflect on which ones are most comfortable or most challenging for them
  3. Students take at least one piece through the full writing process.

The ideas are coming together as “stations”:

If I expose students to all these writing forms and tools, I’m hoping that they will find one or two that “click” with them the way that blogging has “clicked” with me.

What do you do to bridge the gap between “engaged writing” and “inspired writing”?

A Low-Tech Project Students Treasure: Civil War Journals

I’m a big fan of tech. My students do podcasts, blogs, videos, and ePortfolios.

Historically, the project my students like most is one where they use very little technology. Students create Civil War journals from the perspective of a Civil War character. While this project relates specifically to the Civil War, I suspect the ideas can be modified for use in other historical units.

Student-designed Cover

When asked if they would let me keep journals to show future classes, students refused to part with their projects.

We order blank bare books and have students tea-stain them. You can download tea-staining directions by clicking here: Tea Stain Instructions.

The unit runs between six and eight weeks of the school year. Throughout the unit, students create a number of pages. Their writing indicates both knowledge of Civil War content, research skills, and the 6+1 Writing Traits. Some pages are required, others are not.

Enlistment Journal Entry: Glory Roader perspective. A friend is teaching him to write. 

I’ve seen and commented on articles bemoaning the ease of plagiarism in the age of the Internet. Much plagiarism can be avoided when students take on the perspective of a character rather than writing a report.  Simple character names and identities can be obtained from an Interact Simulation of the Civil War. The packaged unit is modified to meet the needs of Upper Primary students.

Battle of Bull Run Journal Entry

The Battle of Bull Run is my favorite battle to teach. To help students build background knowledge, you can read Paul Fleishman’s Bull Run. Each of the sixteen chapters is written from the perspective of a different character in a different place – excellent modeling for students as they write in their tea-stained journals. An audio version of the book is available. I enjoy switching voices and having student read some of the character entries. Using Jean Fritz’s Stonewall, students visualize and sketch as I read. They can follow the actions from Stonewall by using maps from Bull Run. Again, students combine factual information with their fictional character’s life.

Letters from Home

My students tell me that some of their favorite pages are Letters from Home. They pretend they have received a letters from family members such as mother, fathers, and siblings. How would the voice of a mother’s letter differ from the voice of a father?

Sometimes envelopes will contain “momentos” from girlfriends, pictures from children, or a newspaper article update.

Throughout the unit, students also learn to write essays and research reports. Here are a couple of examples:

Students research freedom quilts and work with teams to design their own.    

Creation of Freedom Quilts
Since we focus on the courageous stands that were taken during the Civil War, students research Freedom Quilts. They learn some of the codes embedded into famous quilts. they also research tactics used by conductors on the Underground Railroad.

Then, groups of students create their own Freedom quilts. To the left is a scanned copy of students’ creation along with a short explanation of the codes.

Biographical Essay

Biographical Essays
Students also write biographical essays on important Civil War people. Essays force students to process information in yet another way. After researching a person, students have to grown an idea that becomes a thesis statement.

Again, it is difficult for students to plagiarize if instruction is scaffolded so that students create thesis statements and topic sentences prior to writing an essay.

Thoughts on the Gettysburg Address

Summaries and Reflections
It’s important to me that students reflect on the Gettysburg address. Can they come up with at least a one-sentence explanation of each paragraph? What makes it such an important speech?

Newspaper Article on Lincoln’s Assassination

Newspaper Articles and other Free Choice Pages
Students are allowed “free choice” pages. Some choose to make drawings of their homes. Others make newspaper articles  like the one to the left. Still others take “family” portraits, change the font to sepia, and write captions about what their family, friends, and fellow soldiers were doing. Students might write a eulogy mourning the death of a good friend. Below are some thumbnail pictures of other Civil War Journal ideas.

I don’t know what makes this project so exciting for the students. Maybe they like writing in books that look old. Maybe students have come to know their character so well, they have a hard time parting with him. Perhaps they treasure the journals because they have put so much effort into writing and designing them. Whatever the reason, I am convinced that students can get as excited about non-tech projects as tech projects.

In what non-tech ways do you help bring history alive?




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